“Memories… Do Not Open” is the first studio album release made by the Chainsmokers, and currently the only one they have made. Formed in 2012, the EDM DJ Duo has made regular appearances on top charts. Like most groups they toiled in obscurity a bit before their breakthrough, which came in 2014 in the hands of single “#Selfie”. Since Memories the duo has evolved, changing the sound and depth of their music to remain relevant. Memories itself has remained on the top five, non-consecutively rising to the No. 1 slot every now and then. This has placed the album in the slot for third longest running No. 1 in dance history, alongside the Gorillaz’s album “Demon Days”. The chart is held in the dance/electronic music genre of Billboard’s Top 100 albums.
Memories continued success is beneficial to the New York-based duo of Alex Pall and Andrew Taggart. It gives them sound footing for the release of their new album “Somebody” which they have been preparing for with their recent 2018 singles “Sick Boy”, “You Owe Me”, and “Everybody Hates Me”. The duo has pushed boundaries from the start, and the dark themes beneath their newest songs are taking them to a new level.
The themes focus on current social topics and their effects of the society around them. The songs also contain elements of the duo’s actual lives. “Sick Boy” their first 2018 release focuses on the pressure of social media. It also features Andrew Taggart signing lead vocals, something he has done since 2016’s “Closer” and is an innovation in of itself. EDM DJ’s do not usually sing their own vocals, they bang their heads to the beat behind their comfy booth. The Chainsmokers come out from behind that booth, to forge themselves as artists.
Memories’ continued success makes the duo legitimate DJs. If Somebody gains the same success, it will make them artists. It looks like a good bet looking at the Duo’s track record, but only time will tell if it captures the same sensation as Memories currently does.
Lawrence Bender first started pushing the limits of what we were used to seeing in mainstream cinema with his breakout film, Reservoir Dogs. This collaboration with Quentin Tarantino launched Lawrence Bender to new heights in his career and gained him recognition as one of the forward-thinking film producers who was willing to go out on a limb for the right project. Despite the overwhelming success of Reservoir Dogs, I still think the best film that Lawrence Bender produced was Pulp Fiction in 1994.
Pulp Fiction confused and delighted fans all over the world with its quirky humor and serious backdrop. The movie revolves around interwoven storylines of crime plots. It delves into the seedy underground of the Los Angeles crime scene and infuses humor with graphic violence. Even after the debut of Reservoir Dogs, Pulp Fiction was deemed too violent and offbeat for some critics. It started gaining critical acclaim for its juxtaposition of raw personalities with seriously violent activities. The writing in this classic film is certainly worth of all the praise it has received over the past almost 25 years, but it was Lawrence Bender’s vision behind the camera that brought the entire movie together.
Lawrence Bender was not involved in the movie industry from a young age. After growing up in Jersey, Bender studied engineering at the University of Maine. He took an odd turn by trying out dancing as a career. Once he suffered a serious injury, Bender was forced to look elsewhere to fulfill his dreams of working in the arts. He took an entry level job on several movie sets and started learning his way around the industry. It quickly became clear that Bender had an eye for design and telling a story in an impactful way. Reservoir Dogs was his first foray into producing mainstream movies.
Since he has worked in Hollywood, Bender has received three Oscar nominations and a growing list of other awards. He has also produced major documentaries and successful television series. Bender has worked with some of the biggest names in Hollywood and is considered one of the most successful producers.
One thing that makes Blade Runner and other movies classics is the ambiguity of certain important aspects of the film. As a matter of fact, ambiguity gives the film a longer lifespan than a film that answers every question. In the case of Blade Runner, the one topic of ambiguity is the nature of the protagonist. In the first film, particularly in the director’s and final cuts, there were scenes that suggested that the protagonist of the film Deckard is a replicant. However, one issue that appears with the film is that Deckard appears in Blade Runner 2049 in an aged form. For some people, this shuts down the replicant theory. However, there are plenty of other things to consider.
While in the first film, it was stated that the replicants had a four year lifespan, there are lines of dialogue that suggest that not every replicant has the four year lifespan. In the theatrical ending that was cut out of later versions of the film, Deckard’s voice over has said that Rachel, who was a replicant, was special in that she had no termination date. However, she does not appear in the film. It might be explained what happened to her, or there might be ambiguity in that case as well.
One thing that the director doesn’t want to do is answer the mystery as to whether or not Deckard is a replicant. He did say that he will take care of the mystery. The best way to take care of the mystery is to keep it going. As to whether or not K is a replicant, the trailers seem to spoil that he is a replicant. However, this is not going to be the big mystery in Blade Runner 2049, which will be released this October in premium theaters.
Dru Hill front man Sisqo had some pretty big success with his first solo album in the late 1990’s. Most of that albums success was the result of the massive single ‘Thong Song.’ Released in December of 1999, the ‘Thong Song’ ear ed four Grammy nominations along with other awards. The song was a major success worldwide reaching number three on the hot 100 chart. More than fifteen years later Sisqo has put together a remake of the song with Norwegian production trio Jcy.
Sisqo’s updated version of the ‘Thong Song’ was produced with the group Jcy. The new version of the song has a lighter, tropical feel than the original version of the song. Just like the original video there are plenty of women in the new video rolling around in thongs. The new version has girls in a skating rink having a good time in Miami.
Over the years Sisqo has been approached multiple times about redoing the ‘Thong Song.’ He declined every time not really feeling moved to make a new version. His mind however was changed when heard the new version of the song done by Jcy. After hearing this new version Sisqo new it was time to get back in the studio and do a remake.
Sisqo continues to make new music both as a solo artist and as a member of the R&B group Dru Hill. No matter what he does, he his unable to escape the mega hit ‘Thong Song.’ Now with a new version for a new generation, the song is as alive as it has ever been.
The San Diego Comic Convention (SDCC) has become famous for debuting surprises in store for fans of upcoming movies and television programs. One of the more shocking posters heralds the arrival of Bruce Wayne as a young Batman in Gotham’s fourth season. To say the arrival of the Caped Crusader on television would be big news would be a massive understatement. The new TV Batman would be a complete first for the hero as the first year of the character’s existence would be played out for the first time ever.
The poster does show Bruce wearing either a cape or a flowing coat, but definitely not the traditional Dark Knight uniform. Fans of the comic book series know the development of crime-fighter Bruce Wayne into Batman took some time. The costume came out of a bit of trial and error. Likely, this is how the television show will develop the transformation from Bruce Wayne to Batman.
Slowly bringing out the Batman character makes perfect sense. Once Batman debuts, Gotham ceases being Gotham. Instead, the series turns into “The All-New Batman Show” as the focus would shift from the city and its inhabitants to the Dark Knight and his adventures.
Allowing the program to show how Bruce Wayne becomes the well-known persona of Batman could help the series immensely. The transformation may time some time — and several seasons — allowing viewers to continue to maintain interest in the program.
And maybe the end game would be a new Batman TV series sequel once Gotham’s run ends.
Recently, horror icon George A. Romero passed away at age 77. Without Romero, the entire zombie apocalypse subgenre would never exist. Romero created the genre in 1968 with Night of the Living Dead and then refined it with 1978’s Dawn of the Dead. Romero passed away before his newest zombie film, Road of the Dead, could be completed. The project is moving forward. Romero was originally slated to produce. The original director, Matt Birman, is moving forward with the project, a sequel to Romero’s Land of the Dead.
Birman also reveals further interesting news about Romero’s legacy. The director left four unfilmed screenplays, completed screenplays, in his files. Birman believes the four screenplays eventually will be made.
George Romero definitely experienced an unlikely comeback. The director’s career had its ups and downs and then completely stalled in the late 1980’s. Renewed interest in the horror genre helped Romero stage a minor comeback, but it was the huge success of zombie films that allowed Romero to create further projects such as Diary of the Dead and Survival of the Dead.
Three of the completed Romero screenplays have nothing to do with zombies, which is fine. Romero directed a host of excellent non-zombie films during his career. The Crazies and Martin, two of the director’s 1970’s output are considered cult classics today.
Romero never really spent a lot of time in Hollywood. He choose to continue to produce independent features in his native Pittsburgh after the success of Night of the Living Dead. Perhaps this was a mistake career-wise. Ultimately, things did work out for him in the end as he returned to the director’s chair time and time again in recent years.
Wonder Woman is Most Popular Movie on Twitter This Year
It’s no surprise to anyone that Wonder Woman has already become one of the biggest movies this summer, if not the entire year so far. A huge record-breaking turnout at the box office goes along with that as a huge factor.
What shouldn’t be surprising is the fact that the movie is dominating nearly all forms of social media, in all conversations. For one thing, the movie was exactly what DC needed from its live action movies, since the previous three movies received mixed to negative reviews, whereas Wonder Woman has earned overwhelmingly positive reviews. Much of the positive feedback was definitely in anticipation of leading actress Gal Gadot after giving a scene-stealing performance in Batman V. Superman in 2016.
Wonder Woman has performed much better than other films at the start of the summer, many of which were high-profile films that only ended as a disappointment. This film generated a lot of positive buzz and will be sitting at the top of the box office even a week after its debut.
According to Variety, Wonder Woman is the most tweeted film so far this year, in fact upwards of 2.19 million tweets were sent out about the movie in its first week, moreso than Oscar winner La La Land. Wonder Woman herself is the most tweeted movie character so far this year as well. In addition, Gal Gadot, director Patty Jenkins and Chris Pine are all the most tweeted names that are most associated with Wonder Woman.
The vast amount of talk on social media really shouldn’t be a big surprise, since moviegoers have been excited to see a female-led superhero adaptation in the modern era for a long time and Wonder Woman was more than able to deliver.
Universal’s Dark Universe has gotten off to a truly awful start. The debut film of the shared monster universe has garnered marginal pre-release box office and even worse reviews. Prior to the June 9 North American major release, the film pulled in over $20 million at international theaters and $2.7 million in previews.
Those at Universal hoping for hundreds of millions of dollars in international box office are going to be very disappointed. The film might only barely hit the $100 million mark in North America, but is likely to do much better overseas. $300 to $400 in worldwide grosses won’t even come close to the big money made by other franchises.
The Mummy is not launching the Dark Universe, a shared universe reboot of the classic horror films of the 1930’s and 1940’s, on the right footing. Even if the box office was below expectations, good reviews could help keep plans moving.
Universal is not likely going to abandon the Dark Universe too quickly, but there are surely major worries. The Mummy is not the first disappointment. Several years ago, The Wolfman remake did not deliver the desired results at the box office.
Perhaps the trouble with the Dark Universe is the weak attempt at crossing genres. Pirates of the Caribbean, Marvel/DC heroes, Godzilla & King Kong, and Fast and Furious are all movies rooted in action. Monsters such are horror. The previous Mummy franchise did weave in adventure quite well but, in general, monsters are tied with horror. Trying to turn the Universal monsters into stand-ins for superheroes probably won’t work.
All is not lost. The D.C. Extended Universe suffered several critical duds before the release of the outstanding Wonder Woman. No D.C. Comics film did weak box office, though.
The creative teams at Universal have their work cut out for them with the Dark Universe going forward.
24: Legacy has earned a rather dubious legacy. The FOX series earned a cancellation after only one season. Incredibly, FOX states the franchise may return. The network probably wishes to reserve the right to resurrect the one-time hit series in the future.
A few reasons exist for 24: Legacy’s failure. Weak ratings are definitely among them. The lack of the original series’ star is obviously another. Kiefer Sutherland was the star of the original 24. Without him, the film comes off as a weak imitation. Sutherland was more that just a “star.” His portrayal of Jack Bauer in the series was iconic. Unlike so many forgotten TV characters, Sutherland’s Jack Bauer is one who will be remembered decades from now.
The FOX network’s attempts to resurrect programs from the recent past are quizzical. In addition to 24: Legacy, FOX relaunched an X-Files mini-series and a new season of the once-canceled Prison Break. The X-Files was a hit, but Prison Break was not.
The X-Files is another iconic television series as it ranks among the most successful science-fiction television programs ever produced. Millions of fans tuned in for the program’s return. Prison Break never had anything close to The X-Files popularity. And unlike The X-Files, 24: Legacy did not feature a beloved lead actor returning to a famous role. That major deficiency bears repeating.
Why would FOX look at the failure of 24: Legacy and state the franchise may continue?
The reason is simple. The next series could be a hit. With the right concept and the right timing, another attempt at resurrecting 24 might do very well. Maybe moving the franchise away from the broadcast network would be an effective strategy. Co-producing a streaming series or a video game endeavor are two possible ways the series may survive and thrive.
A return to FOX is always a possibility as well.
The CW has announced its fall premiere dates, and Riverdale fans are in luck. No longer a midseason show like it was for its freshman season, Riverdale will be back on the network in October, though it is on the move.
The series, inspired by Archie comic books, aired on Thursdays during its inaugural season. It followed Archie Andrews (KJ Apa) and friends Betty (Lili Reinhart), Veronica (Camila Mendes), and Jughead (Cole Sprouse) in the small town of Riverdale after it was rocked by the unexpected death of one of it teenagers. The mystery of just who killed him played out over 13 episodes and brought to light student-teacher affairs, incestuous relationships, and financial scandals, not to mention another attempted murder in the season finale.
For its sophomore set, it’s moving to Wednesdays at 8PM. Archie, Betty, Veronica, and Jughead will return for more soapy small town mysteries on October 11.
Showrunner Roberto Aguirre-Sacasa has been giving fans hints at what’s to come by releasing episode titles on his twitter account while the show’s team is back at work in the writers’ room. Their first foray back into television will be “Chapter Fourteen: A Kiss Before Dying,” picking up not long after the season one finale left off. That will be followed up by “Chapter Fifteen: Nighthawks.” The titles continue the method of naming the episodes after classic films that the writers have used since the pilot, so fans will have plenty of fun dissecting those episode titles over the next few months to see if they can learn anything about what’s next for the Riverdale residents.
Riverdale fans can currently relive season one on Netflix, where it became available to stream in its entirety in May.